Play Beckett 2OO9
Play Beckett is a hybrid of Becketts particular language with the contemporary concepts of performance action and site-specific installation. With a powerful but simple visual environment and a sharp use of black humour, the piece travels through three Samuel Becketts short plays:
Catastrophe (1982), Play (1964) and Rockaby (1982).
Using the surgical precision of Becketts words, Play Beckett proposes an intense emotional journey leading to activate audiences here and now, by showing them the heart and the entrails of the human ability to comunicate.
'The farther he goes the more good it does me. I dont want philosophies, tracts, dogmas, creeds, ways out, truths, answers, nothing from the bargain basement. He is the most courageous, remorseless writer going and the more he grinds my nose in the shit the more I am grateful to him. Hes not f---ing me about, hes not leading me up any garden path, hes not slipping me a wink, hes not flogging me a remedy or a path or a revelation or a basinful of breadcrumbs, hes not selling me anything I dont want to buy he doesnt give a bollock whether I buy or not he hasnt got his hand over his heart. Well, Ill buy his goods, hook, line and sinker, because he leaves no stone unturned and no maggot lonely. He brings forth a body of beauty.
His work is beautiful.' Harold Pinter
Cast Direction, Visual & Sound design
Assistant - Woman 2 - Voice : Rosa de Guindos. Julián Fuentes Reta
Protagonist - Woman 1 - Body : Ana Eva Cruellas.
Director - Man - Shadow : Iñaki Rubio. Assistant Director & Visual Operator
Ena Fernandez
Dramaturgy and production Visual and Graphic Design Duration
Corazón de vaca. Javier Olariaga and Corazón de vaca 55 minutes
Catastrophe (1982), Play (1964) and Rockaby (1982).
Using the surgical precision of Becketts words, Play Beckett proposes an intense emotional journey leading to activate audiences here and now, by showing them the heart and the entrails of the human ability to comunicate.
'The farther he goes the more good it does me. I dont want philosophies, tracts, dogmas, creeds, ways out, truths, answers, nothing from the bargain basement. He is the most courageous, remorseless writer going and the more he grinds my nose in the shit the more I am grateful to him. Hes not f---ing me about, hes not leading me up any garden path, hes not slipping me a wink, hes not flogging me a remedy or a path or a revelation or a basinful of breadcrumbs, hes not selling me anything I dont want to buy he doesnt give a bollock whether I buy or not he hasnt got his hand over his heart. Well, Ill buy his goods, hook, line and sinker, because he leaves no stone unturned and no maggot lonely. He brings forth a body of beauty.
His work is beautiful.' Harold Pinter
Cast Direction, Visual & Sound design
Assistant - Woman 2 - Voice : Rosa de Guindos. Julián Fuentes Reta
Protagonist - Woman 1 - Body : Ana Eva Cruellas.
Director - Man - Shadow : Iñaki Rubio. Assistant Director & Visual Operator
Ena Fernandez
Dramaturgy and production Visual and Graphic Design Duration
Corazón de vaca. Javier Olariaga and Corazón de vaca 55 minutes
